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The publishing house is a medium enterprise, which multiplies and spreads works of the literature, art, music or science. The sales can be made by the trade (art, book trade etc.) or via the publishing house.
The publishing house or the person of the publisher usually acquires the right to use at the manuscript of an author (copyright) due to a contract and provides for production (preparation for the pressure) and evenly the pressure of the work. Secondly he procures the advertisement and the selling over the different selling ways, for example over the book trade or the press wholesale. The third function lies in the Vorfinanzierung, as the word origin makes clear already, because shifting comes from presentation.
Employees in a publishing house practice the occupation of the publishing house buyer (new job title: Medium buyer/woman Digital and Print) out or are active in the publishing house production.
An author, who lets books without publishing house print its and sells, has a self publishing house. That differs from a small publishing house, in which a tradesman shifts stranger or own works. In terms of figures by far most publishing houses are in the category, many are tiny. Private possession flows in, as well as the own, almost unpaid achievement. Usually the owner of a small publishing house is personally engaged to spread certain contents and enjoys the profession. Because authors earn still little also with certain success, they are usually dependent to change to larger publishing houses if they have something success - which keeps the small publishing houses further small (footboard strategy). Small publishing houses, which the footboard role to escape and higher incomes want, would have their unknown authors either (laboriously, expensively, often unsuitable) admit to make or (substantially more simply) for more well-known authors exchange. Which is naturally (nearly) impossible and would keep unfortunately unknown authors further unknown. Or: Perhaps authors look for in publishing houses the missing financial participation, which their investment in the letter (copyright is a capital form) maximally pay interest on. Publishing houses need the investment most profit-promising in each case, thus an investment in at the easiest and/or with largest profit salesable Buchtitel. However neither all authors nor all publishing houses are stubbornly on maximum profit out otherwise it soon example books, travel guides and Erotik Comics would only give. Only from this to one reason of common interests beyond the capital net yield are again and again across literature history to each other suitable authors and publishing houses, who get over also heavy times despite all disadvantages on the market, in-end. Often these alliances place then (even if they do not experience success sometimes any longer) the future world literature.
A characteristic represents the subsidy publishing house and/or exact pressure cost subsidy publishing houses. Of course and nevertheless with difficulty to achieve are pressure cost subsidies (firm term) for scientific work. They go to renowned publishing houses. Pressure cost subsidies come usually from the largest the science in this country, the German research council (DFG), in addition, from the DAAD and many public and private donations.
Publishing houses can be arranged according to their Hauptprodukten:
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