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- a journal for the art was a literature magazine published from Heinrich of Kleist and Adam Heinrich Mueller. The journal appeared between January 1808 and December 1808 in twelve booklets in nine supplies in Dresden.

Flat for the magazine

The journal received its names after the surname Phoibos of the Greek God Apollon. The envelope design of the first booklet, provided of Ferdinand Hartmann, showed the sun God as it on a car, pulled from the sun horses over Dresden pulls away. In its resolution to the first booklet Kleist this bedichtete in such a way: "Rant inside, o you, with your flaming Bringer tags, into the infinite area!"

The journal at Schillers Horen was ajar. The attempt to apply the magazine by considerable authors such as Schiller and Goethe failed fast, since these dissociated themselves from the project. Thus, and because Mueller and Kleist had neither an exact plan, still relations with booksellers, failed already soon; the two publishers had to supply money. The exact edition is not well-known, but Klaus assumes in its Kleist Biografie hardly more than 150 copies per booklet were set off.

Contents and development

In the first booklet a fragment from Kleists appeared drama Penthesilea, which was taken up a little favorably by the criticism - like also the magazine altogether -. The review of Karl August from 6 February is exemplary 1808 here in that it among other things is called quoted: "Against it is a quantity of places, to find where the sense either completely or not at all or but very rotated and verschroben is"Â…" Also Goethe saw that similar, although Kleist offered the first booklet of the with almost writing down to him "on the knees of its heart". Contributions of Goethe to the journal were missing and its fate were actually already sealed with the first number.

Kleist and Mueller continued nevertheless. The accumulating debts led however rapidly to tensions between the two publishers. When Mueller sold the booklet down behind Kleists back to a Dresdener bookseller (against repayment of the debts), cooled the relationship between the two noticeably.

Table of contents of the booklets

First booklet, January 1808

  • Pro log, of Kleist
  • '' Organic fragment from the tragedy Penthesilea (drama), of Kleist
  • Over the meaning of the dance by Christian Gottfried of grains
  • The angel at the grave of the gentleman, of Kleist
  • At Dorothee of Novalis
  • Fragments over the dramatic poetry and art, of Mueller
  • Popularity and Mysticismus, by Mueller
  • Over the literary character of the Mrs. von Stael Holstein, of Mueller
  • Epilog, of Kleist

Second booklet, February 1808

  • The Marquise of O"Â…, of Kleist
  • The two pigeons, a fable after Lafontaine, of Kleist
  • Lectures on the beautiful, by Mueller
  • Corinne ou l' Italie par madame de Stael Holstein, of Mueller

Third booklet, March 1808

  • Lectures on the beautiful (continuation), by Mueller
  • Fragments from the comedy the zerbrochne jug, of Kleist
  • Fables, of Kleist
  • Pelegrin (excerpts), of Friedrich de la moth

Fourth and fifth booklet, April, May 1808

  • Fragment from the tragedy Robert Guiskard, of Kleist
  • The old person and its translator, of Friedrich God praise Wetzel
  • The Abentheuer of the fiddler too ski-race, of God-help to Heinrich Schubert
  • M. and S., of Novalis
  • Lectures on the beautiful (continuation), by Mueller
  • Faareveile, by Adam
  • Irony, comedy, Aristophanes, by Mueller
  • Fragments from a lecture, of Schubert
  • Epigramme, of Kleist
  • Something over landscape painting, by Mueller
  • Variation on the Musen and Grazien in the Mark, of Wetzel
  • '' Fragment from the play the of Heilbronn, of Kleist
  • Saul and David, of Wetzel

Sixth booklet, June 1808

  • La de la victoire le retour the Grecs, from Anne Germaine de
  • The fairy tale of the long nose, of Wetzel
  • Of the large Christoph, of Wetzel
  • Michael Kohlhaas, of Kleist
  • Apologie of the French dramatic literature, of Mueller
  • Art criticism, by Mueller
  • Epigramme, of Kleist

Seventh booklet, July 1808

  • Of the character of the Spanish poetry, of Mueller
  • Of the didactical poetry, of William
  • Iduna, goddess of the immortality, of Wetzel
  • God river, of Wetzel
  • The missed church, of Wetzel
  • Philosophical and critical Miscellen, different authors

Eighth booklet, August 1808

  • The Wole grave, of Wetzel
  • Introduction into the view of the Greek stage, of Mueller
  • Kleobis and Biton, of Wetzel
  • Of the didactical poetry (continuation), of
  • Philosophical-critical Miscellen, by Mueller
  • The school Johann of Mueller, by Mueller
  • Some more over the difference of the antique and modern theatre, of Mueller

Ninth and tenth booklet, September/October 1808

  • Of the religious character of the Greek stage, of Mueller
  • To the wine vintage, of Novalis
  • Second fragment from the play the by Heilbronn, of Kleist
  • Fragments over William Shakespear, by Mueller
  • Small opportunity poems, of Kleist

Eleven-width unit and twelfth booklet, November/December 1808

  • Prolegomena of an art philosophy, by Mueller
  • Song of the youth, of Wetzel
  • The death, of Wetzel
  • Curse of the time, of Wetzel
  • The Kleinod, of Wetzel
  • The fright in the bath, of Kleist
  • Kunz of Kauffungen, by count Otto Heinrich of
  • Dying Maria, of of
  • Sky-driving Maria, of of
  • Pressure of the soul, by Mueller
  • Italian theatre, masks, Extemporiren, by Mueller
  • Spirit proximity, of Wetzel
  • Over the German family painting, of Mueller
  • At J., by Mueller
  • Invisible writing, of Wetzel
  • Wanderers day journey, of Wetzel
  • Wanderers evening, of Wetzel
  • Wanderers night camp, of Wetzel
  • Over art exhibitions and art criticism, by Ferdinand Hartmann
  • Noth and for artists and art lover in mild home, of Friedrich William Basilius of Ramdohr

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