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The "Nebelspalter" is Swiss a satire magazine. It was created 1875 of Jean in Zurich as "Illustrirtes humoristisch political weekly paper" and exists until today. The "Nebelspalter" is since the attitude of the English "Punch" (1841-2002) the oldest satire magazine of the world.

Ascent for "national institution"

Its best time had the "Nebelspalter" into the 1930er years, during and after the Second World War, as it the acts of violence and the ideology of the national socialists and their in Switzerland, which frontists anprangerte. 1933 were forbidden the Nebelspalter in the LV realm. Meanwhile the edition snapped up in Switzerland: 1922, when the Rorschacher publisher Ernst Benz had taken over the "Nebelspalter", amounted to it only 364 copies. 1945 amounted it to 30 ' 000. The Nebelspalter had developed a self understanding as "tip of the spear of the mental national defense", which upright it kept in the cold war in relation to communism into the 1960er years in relation to the national socialism.

Its popularity owed those affectionately to "Nebi" magazine mentioned to a majority the chief editor at that time Carl which is to be settled William Buschs with its double gift as draughtsmen and Texter in the tradition. Under the contraction it manufactured 1962 thousand Cartoons, designs and texts to. Into the 1970er years rose the edition to 70 ' 000 copies. Over decades the "Nebelspalter" figurierte as sow-Irish guidance medium and as talent talentschmiede of Switzerland, with which are linked, about that one from well-known draughtsmen such as Rene Gilsi, Jakob Nef, Fritz Behrendt, Nico Cadzky, refuge Haitzinger and from Satirikern such as Keiser, Franz of hollow, Lorenz Keiser, Peter Stamm or Linard Bardill. Also the well-known Urner painter Heinrich Danioth was active during 15 years as draughtsmen and Illustrator for the "Nebelspalter".

See: www.nebelspalter.ch

Crisis of the 1990er years

With the rapid development of Swiss medium landscape in the last third 20. Century could not keep up the "Nebelspalter" any longer. Caricatures, columns and other sow-Irish forms moved away more and more into daily papers and into the audiovisual media. That increasingly conventionally working sheet constantly lost at subscribers and readers. Into the 1990er years failed under chief editor Iwan Raschle the radical reorientation of the "Nebelspalter" in styles the Frankfurt one "Titanic". The edition sagged the crisis from 34 ' 000 copies on 17 ' 000, by the shrinking advertisement volume was additionally intensified. Several changes in the chief editorship and 1996 the sales of the title at the Basler Friedrich Reinhardt publishing house followed. On at the end of April 1998 was announced with an edition of 8000 its attitude.

Sign of lasting recovery

1998 transferred the Thurgauer publisher Thomas Engeli in last minute the marode sheet. It succeeded to it to stop the subscriber and reader decrease and introduce a development moving in opposite directions. In the meantime the magazine counts again 200 regular text and picture authors. To 130. Birthday of the title in the year 2005 dared the "Nebelspalter" obviously with some success the gentle Relaunch. Under the editorship line ordered again with Marco Ratschiller carried out the title a Face Lifting with simple-feuilletonistic painting and created it, considerable exponents of current Swiss author and satire scene such as Andreas Thiel, Simon Enzler, to engage Pedro spring and Gion Mathias Cavelty for the booklet. At the end of of 2005 appeared the "Nebelspalter" with an edition of 20 ' 000 copies and counted in accordance with the market study study "MACH basic" of 285 ' 000 readers per expenditure. The "Nebelspalter" appears ten times annually, i.e. in each case on the first Friday of the monthly (with exception of August and January).